There’s the Why, and Then There’s the How Much

auction for Curt’s Pitch for ALS organized by the Sons of Sam Horn website in the memory of John Hoyt.

It’s on the block until August 10th at 8:00PM, so far the highest bid is $550 (as of 7/17 at 10:45AM), which is nice. Until now, the highest amount of money I’ve ever sold a piece for is $200. Of course, that $550 isn’t a true reflection of the buyer’s valuation of the piece as art, because the bid is inflated due to the charitable nature of the auction. But that hardly matters, because what it essentially amounts to is that it’s the equivalent of me writing a $550 check to this cause, something I’m not actually able to do at this point. So I was able to utilize my talents to benefit a noble cause in a way that far exceeds my own financial capacity, and it feels really good to be able to do that. If the buyer ends up actually digging the piece, so much the better.

I’ll be doing a second drawing for the auction as well. There’s a possibility that the combined sale prices of both pieces will exceed $1000. It’s kind of mind-blowing, and I genuinely feel much better about this sort of transaction than if I were selling the pieces for profit at a lower price. I’m still really uncomfortable about charging money for my artwork, primarily because I’m usually selling pieces to friends and acquaintances, so it just feels awkward  to me. In all seriousness I know I’m undercharging for my art (which is borne out by the fact that I have steady work and future buyers on tap), but it’s hard because art is subjective and what’s worth $200 to one person is worth $550 to another and worth 75 cents to yet a third. Ideally I’d create a piece on my own and set a price I thought was fair based on the amount of work I put into it, and some stranger would agree and then buy it from me. Doesn’t really work that way, at least for 99.9% of the artists out there.

 In the meantime, participating in stuff like this is a really rewarding consolation prize.

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